Aashiqui 2 is an Indian romantic musical drama film directed by Mohit Suri and produced by Bhushan Kumar and Mukesh Bhatt under the banners T-Series and Vishesh Films. The film is the sequel to 1990 musical blockbuster film Aashiqui. It does not follow the regular sequel format but like a franchise with no resemblance to the previous story. It stars Aditya Roy Kapoor and Shraddha Kapoor in the lead roles. Set in the early 2010s, Aashiqui 2 is a love story which depicts the journey of musicians Rahul and Arohi and their romantic relationship, which goes through love and hate, twists and turbulence, success and failure in their lives. The film's music received positive reviews from critics and became very popular after its release; the songs "Tum Hi Ho" and "Sun Raha Hai" topped the charts across various platforms in India.
Made on a budget of 12 crore (US$2.2 million), the film opened on 26 April 2013 to positive to mixed reviews from film critics, who praised the lead cast's performances, the chemistry between the leading actors and the music. The film had a good opening at the box-office despite featuring newcomers. Positive word-of-mouth from the audiences contributed to the film's collections and remained consistent throughout its run. Aashiqui 2 became a major commercial success, collecting nett. 100 crore(US$18 million) worldwide in four weeks, and was declared as a blockbuster by Box Office India after its three-week box office-run. It is currently the second-highest grossing Hindi film of 2013 and the highest grossing film ever produced by Vishesh Films.

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Android is a Linux-based operating system designed primarily for touchscreen mobile devices such assmartphones and tablet computers. Initially developed by Android, Inc., which Google backed financially and later bought in 2005, Android was unveiled in 2007 along with the founding of the Open Handset Alliance: a consortium of hardware, software, and telecommunication companies devoted to advancingopen standards for mobile devices. The first Android-powered phone was sold in October 2008.
Android is open source and Google releases the code under the Apache License. This open source code and permissive licensing allows the software to be freely modified and distributed by device manufacturers, wireless carriers and enthusiast developers. Additionally, Android has a large community of developers writing applications ("apps") that extend the functionality of devices, written primarily in a customized version of the Java programming language. In October 2012, there were approximately 700,000 apps available for Android, and the estimated number of applications downloaded from Google Play, Android's primary app store, was 25 billion.
These factors have allowed Android to become the world's most widely used smartphone platform,overtaking Symbian in the fourth quarter of 2010, and the software of choice for technology companies who require a low-cost, customizable, lightweight operating system for high tech devices without developing one from scratch. As a result, despite being primarily designed for phones and tablets, it has seen additional applications on televisions, games consoles and other electronics. Android's open nature has further encouraged a large community of developers and enthusiasts to use the open source code as a foundation for community-driven projects, which add new features for advanced users or bring Android to devices which were officially released running other operating systems.
Android had a worldwide smartphone market share of 75% during the third quarter of 2012, with 500 million devices activated in total and 1.3 million activations per day. The operating system's success has made it a target for patent litigation as part of the so-called "smartphone wars" between technology companies.
The logo for the Android operating system is an apple green robot designed by California-based graphic designer Irina Blok.

Line-Up

• Fabio Lione - Vocals

• Luca Turilli - Guitar

• Dominique Leurquin - Guitar

• Patrice Guers - Bass

• Alex Staropoli - Keyboards

• Alex Holzwarth - Drums

• Christopher Lee - Cover

• Petr Pololanik - Conductor

In comic books, an intercompany crossover (also called cross-company or company crossover) is a comic or series of comics where characters published by one company meet those published by another (for example, DC Comics' Superman meeting Marvel's Spider-Man, or DC's Batman meeting Marvel's Wolverine). These usually occur in special "one-shot" issues or a miniseries.
Some crossovers are part of canon—for example, JLA/Avengers, which has been made canon in the DC Universe—but most are outside of thecontinuity of a character's regular title or series of stories. They can be a joke or gag, a dream sequence, or even a "what if" scenario (such as DC'sElseworlds).
Marvel/DC crossovers (which are mostly non-canon) include those where the characters live in alternate universes, as well as those where they share the "same" version of Earth. (Indeed, some fans have posited a separate "Crossover Earth" for these adventures.) In the earliest licensed crossovers, the companies seemed to prefer shared world adventures. They took this approach to the first intercompany superhero crossover, 1976's Superman vs. the Amazing Spider-Man, and followed the same format in 1981 with Superman and Spider-Man.
Besides the two Superman/Spider-Man crossovers, a number of other DC/Marvel adventures took place on a "Crossover Earth", but later intercompany crossovers tended to present the DC and Marvel Universes as alternate realities, bridged when common foes made this desirable. (The interest in overall continuity has become a major part of even crossover comic books.)
Characters are often licensed or sold from one company to another, as with DC acquiring such characters of Fawcett Comics, Quality Comics, andCharlton Comics as the original Captain Marvel, Plastic Man and Captain Atom. In this way, heroes originally published by different companies can become part of the same fictional universe, and interactions between such characters are no longer considered intercompany crossovers.
Although a meeting between a licensed character and a wholly owned character (e.g., between Red Sonja and Spider-Man, or Ash Williams and theMarvel Zombies) is technically an intercompany crossover, comics companies rarely bill them as such. Likewise is the case when some characters in an on-going series are owned or to some extent controlled by their creators, as with Doctor Who antagonists the Daleks, which are not owned by the UK television network the BBC although the character of The Doctor is.

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